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Copyright Law
: Michael GeistThe Wikileaks Copyright Cables: Confirmations Not Revelations
By Michael Geist
While I am very interested in seeing the Canadian KIPR cables, I'd be surprised if the cables reveal anything new. The fact that the U.S. is actively lobbying in foreign countries on intellectual property issues (particularly copyright) is not a secret, it's a open strategy. The cables don't really show that the U.S. wrote Spain's copyright law, because they didn't need to. Years of relentless lobbying pressure at the highest levels of government make it as clear as possible what the U.S. is looking for (plus they release the annual Special 301 report just in case anyone is still confused) so that when a government decides to reform its laws it invariably takes the U.S. position into account.
The U.S. lobbying and political pressure approach is pretty transparent
and now confirmed by the cables. In the case of Spain, they show
a detailed strategy
document with short, medium and long term goals, meetings (1,
2)
between the U.S. Ambassador and Spanish politicians on the need to do
more on copyright, joint
meetings with industry lobbyists, U.S. officials, and government
officials, updates
on the political pressure against U.S. supported copyright reforms,
recommendations on whether to escalate pressure on Spain through the
Special 301 list (1,
2),
joint
projects with rights holder groups, and opportunities
for rights holders to speak and influence opinion.
If this sounds familiar, it is because precisely the same trends and
activities have been unfolding in
Canada for years. In addition to the ACTA file, in 2010:
- MPs from all opposition parties noted the influence of the U.S. on Bill C-32
- CRIA traveled to Washington to lobby for increased pressure on Canadian copyright
- An academic paper quoted a former government chief of staff as stating that the PMO required the U.S. to be satisfied with any copyright reform package
- meetings with U.S. officials were held throughout the spring in advance of Bill C-32
- the U.S. placed Canada on its Priority Watch List over it copyright law, despite many U.S. companies arguing against it
- the U.S. Ambassador to Canada (a former IP lawyer), denied reports linking copyright reform to "Buy American" provisions, but noted that the U.S. will continue to press Canada on the issue
- Lobbyists on both sides of the border held public events in Canada and the U.S. criticizing Canadian copyright law
- the Entertainment Software Association suggested using ACTA to force Canadian copyright reform
- the Conference Board of Canada published its plagiarized reports on copyright that recommended U.S. style reforms. The reports were funded by some U.S. groups and copied materials from the U.S. IIPA
- the U.S. Congressional International Anti-Piracy Caucus placed Canada on a watch list
- the USTR placed Canada on the Special 301 Priority Watch List
- then Trade Minister Stockwell Day was lobbied on copyright on a visit to Washington
- Vice-President Joe Biden criticized Canadian copyright at an MPAA dinner
Perhaps the best known effort was the remarkable lobbying campaign for anti-camcording legislation in late 2006 and 2007. Despite departmental advice that Canadian law could already address unauthorized camcording, U.S. and movie studio pressure succeeded in getting a bill introduced and passed within a matter of weeks in 2007, capped by a visit from California Governor Arnold Schwarzenneger. Soon afterward, then head of the CMPDA acknowledged that backroom lobbying by the U.S. Ambassador to Canada (Wilkins) and Canadian Ambassador to the U.S. (Wilson) were instrumental in getting the bill passed.
In other words, the Wikileaks copyright cables are likely to confirm rather than reveal. The U.S. copyright pressure on Canada (and many other countries) has been so pervasive that backroom deals, political arm twisting, and public pressure has ceased to surprise or shock anyone. The real revelations lie not in whether there is U.S. pressure but rather in how Canadian officials respond to it.
Full post as published by Michael Geist on December 06, 2010 (boomark / email).
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